Dear Jazzed About History,
Ninth Street still exists, just under a different name! These days, Chatta-nooga residents know it as MLK Boulevard, renamed after Martin Luther King Jr. in 1981. As you’ve heard, in its heyday, Ninth Street was the place to be when it came to live blues, jazz, and soul music in the South. Ninth Street has been compared to the likes of Memphis’s Beale Street and New Orleans’ Bourbon Street and was once nationally known for its music scene.
Known as “The Big Nine,” Ninth Street thrived as a musical mecca from the late 1800s to the mid-1900s and was the heart of the local Black business community. Barbershops, churches, homes, and lively nightclubs, such as the Nightcap, Brown Derby, and the Whole Note, lined the street. Here, the area’s most talented musicians would play to packed crowds.

Bessie Smith
One of the best-known musical artists to emerge from Ninth Street was Bessie Smith, an iconic blues singer during the 1920s and ‘30s. Born in 1894 in a neighborhood on Ninth Street, Smith got her start singing on street corners as a girl and left town at 18 years old to pursue a singing career. Her talent would skyrocket her to fame and earn her the nickname “Empress of the Blues.”

Display on The Impressions at Songbirds Guitar & Pop Culture Museum
Plenty of other musicians join Bessie Smith as part of the musical legacy of Ninth Street. They include Clyde Stubblefield, a legendary drummer who played with James Brown; Valaida Snow, a jazz musician touted as one of the top trumpet players of her time; Jimmy Blanton, bassist and member of Duke Ellington’s band; Cora “Lovie” Austin, one of the first Black female bandleaders; and Sam Gooden, Richard and Arthur Brooks, and Fred Cash of The Impressions.